Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sinfonia italiana , (Il popolo e il profeta)
Antonio Veretti |
PART04378
full score |
||
4 Cori, a voci miste
Antonio Veretti |
PART04383
full score |
1939 | |
Passacaglia
Antonio Veretti |
PART04385
full score |
||
Passepied I e II , per pf. a quattro mani
Antonio Veretti |
PART04386
full score |
||
Tre canti, musicati per una voce e orch.
Antonio Veretti |
PART04389
|
3/1930 | |
Sei stornelli
Antonio Veretti |
PART04390
full score |
6/1926 | |
Sonata in fa
Antonio Veretti |
PART04391
full score |
12/1926 | |
Sonata come una fantasia
Antonio Veretti |
PART04392
full score |
||
Rispetto e canzonetta
Antonio Veretti |
PART04393
full score |
1927 | |
Partita
Antonio Veretti |
PART04394
full score |
1926 |