Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Come qualcosa palpita nel fondo…, per violino e nastro magnetico
Armando Gentilucci |
PART01965
other |
1973 | |
Dal suono al suono
Armando Gentilucci |
PART01966
full score |
1/1977 | |
In divenire, per viola e orchestra
Armando Gentilucci |
PART01967
full score |
5/1975 | |
Iter
Armando Gentilucci |
PART01968
full score |
2/1969 | |
Scontri, per orchestra da camera con vl. principale.-
Armando Gentilucci |
PART01969
full score |
10/1975 | |
Trama, per 10 strumenti a fiato
Armando Gentilucci |
PART01970
full score |
1977 | |
Figure , per 32 esecutori
Armando Gentilucci |
PART01971
full score |
10/1967 |