Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Due notturni
Francesco Pennisi |
PART06016
full score |
31/1/1992 | |
Suoni di luce
Gilberto Cappelli |
PART04812
full score |
1/12/1995 | |
Perdo il futuro della tua grazia, (trio n.5)
Adriano Guarnieri |
PART05576
full score |
1990 | |
3 Studi d'interpretazione, per orch.d'archi (nuova versione)
Bruno Bettinelli |
PART04701
full score |
1/1990 | |
Ai confini dell'aurora, (corale figurato) per trombone e pf.
Armando Gentilucci |
PART05387
full score |
1985 | |
Clessidre di Durer, Le
Armando Gentilucci |
PART05396
full score |
9/1985 | |
Crescendo
Armando Gentilucci |
PART05398
full score |
6/1971 | |
Diacronie, per violino solista e 9 archi
Armando Gentilucci |
PART05400
full score |
2/1970 | |
Dove non sono confini, per violoncello solo
Armando Gentilucci |
PART05402
full score |
2/1985 | |
Echi del suono, per pianoforte a quattro mani
Armando Gentilucci |
PART05404
full score |
2/1985 |