Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mefistofele , Parte pel Signor Nannetti
Arrigo Boito |
PART00361
|
||
Mefistofele, frammento
Arrigo Boito |
PART00362
full score |
||
Mefistofele, Prologo
Arrigo Boito |
PART00363
|
||
Nerone
Arrigo Boito |
PART00364
|
||
Nerone
Arrigo Boito |
PART00365
|
30/9/1924 | |
Mefistofele
Arrigo Boito |
PART00366
|
12/1883 | |
Ero e Leandro
Giovanni Bottesini |
PART00389
full score |
3/12/1879 | |
Serenata
Luigi Denza |
PART01331
|
26/3/1882 | |
Falce, La, Egloga orientale
Alfredo Catalani |
PART00905
arrangement/reduction |
11/10/1875 | |
Amleto
Franco Faccio |
PART01764
arrangement/reduction |