Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Crociati in Tolemaide, I
Giovanni Pacini |
PART02976
full score |
||
Ciarlatani, I
Giacomo Panizza |
PART03032
full score |
14/10/1839 | |
Vendetta, La
Cesare Pugni |
PART03436
full score |
||
Jacopo di Valenza
Ruggero Manna |
PART02400
full score |
||
Ammalata ed il consulto, L'
Giuseppe Manusardi |
PART02407
full score |
||
Birichino di Parigi, Il
Giuseppe Manusardi |
PART02408
full score |
||
Azema di Granata
Lauro Rossi |
PART03645
full score |
3/1846 | |
Bella celeste degli spadari, La
Pietro Antonio Coppola |
PART01027
full score |
1837 | |
Postiglione di Longjumeau, Il
Pietro Antonio Coppola |
PART01030
full score |
||
Don Bucefalo
Antonio Cagnoni |
PART00682
full score |