Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Se avessi l’ale!, Serenata
Francesco Paolo Tosti |
PART04191
full score |
9/1897 | |
Graziella
Decio Monti |
PART02792
full score |
||
Mia madonna, La
Leopoldo Mugnone |
PART02828
full score |
15/6/1909 | |
Cuor morto! , Melodia
Alberto Iginio Randegger , Filippo Sangiorgi |
PART03450
full score |
||
Gabriella di Bell'Isle
Paolo Maggi |
PART02324
full score |
||
Gustavo Wasa
Filippo Marchetti |
PART02479
full score |
16/9/1874 | |
Ruy Blas
Filippo Marchetti |
PART02481
full score |
||
Mattia Corvino
Ciro Pinsuti |
PART03274
full score |
||
Regina e favorita
Luigi Sangermano |
PART03757
full score |
16/2/1871 | |
Diana di Chaverny
Alfredo Sangiorgi |
PART03759
full score |
30/11/1874 |