Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Isabella d’Aragona
Carlo Pedrotti , Giovanni Battista Pionzo |
PART03093
full score |
1858 | |
Fiorina, o la fanciulla di Glaris
Carlo Pedrotti |
PART03095
full score |
20/10/1851 | |
Parrucchiere della Reggenza, Il
Carlo Pedrotti |
PART03096
full score |
21/4/1852 | |
Romea di Monfort
Carlo Pedrotti |
PART03097
full score |
||
Tutti in maschera
Carlo Pedrotti |
PART03098
full score |
8/1856 | |
Guerra in quattro
Carlo Pedrotti |
PART03099
full score |
||
Alla sera, (per c. e pf.)
Carlo Pedrotti |
PART03103
full score |
1865 | |
Sinfonia nell'opera Olema , Rid. per pf. a quattro mani
Carlo Pedrotti |
PART03104
full score |
23/8/1873 | |
Fugacità della vita, per voce di t. (e pf.)
Carlo Pedrotti |
PART03105
full score |
||
Mattinata, (per c. e pf.)
Carlo Pedrotti |
PART03106
full score |