Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Least bee , 1ªversione. 5 poesie di Emily Dickinson per voce e piccolo ensemble
Stefano Gervasoni |
PART05467
full score |
9/1991 | |
Least bee , 2ªversione, per voce e 5 strumenti
Stefano Gervasoni |
PART05468
full score |
1/5/1992 | |
Fantasie della lontananza, per s. e pf
Alessandro Sbordoni |
PART06219
full score |
14/1/1992 | |
Dieci versi di Emily Dickinson
Giacomo Manzoni |
PART02417
full score |
1988 | |
Dickinson Lieder
Niccolò Castiglioni |
PART00816
full score |
12/1977 |