Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Fabbro di Betlemme, Il
Ennio Porrino |
PART03361
full score |
||
Ouverture
Luigi Cherubini |
PART03362
full score |
1952 | |
Sogno dello schiavo, Il
Ennio Porrino |
PART03363
full score |
||
Traccàs
Ennio Porrino |
PART03364
full score |
3/1931 | |
Concertino, per tr. in si bem. e orch
Ennio Porrino |
PART03365
arrangement/reduction |
12/1934 | |
Sardegna, Poema sinfonico
Ennio Porrino |
PART03366
full score |
1933 | |
Concertino in si bem, per tromba e piccola orchestra
Ennio Porrino |
PART03367
full score |
7/2/1951 |