Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
A Greyswood, Quattro melodie per c. (e pf.)
Francesco Paolo Tosti |
PART04040
full score |
1895 | |
Entra!, (risposta a la “Serenata d’un angelo”)
Francesco Paolo Tosti |
PART04077
full score |
9/1891 | |
Altre pagine d’album
Francesco Paolo Tosti |
PART04087
full score |
10/1889 | |
Sull’alba
Francesco Paolo Tosti |
PART04211
full score |
11/1880 | |
Triste ritorno, Melodia
Francesco Paolo Tosti |
PART04231
full score |
9/1891 | |
Io mi domando, Melodia
Francesco Paolo Tosti |
PART04258
full score |
||
Mattinata
Salvatore Musella |
PART02858
full score |
7/1916 | |
M’amasti mai?, Melodia (per c. e pf.)
Marino Mancinelli |
PART02393
full score |
||
Fosse morta!...
Angelo Mariani |
PART02490
full score |
10/2/1871 | |
Notturno di Chopin, Un, (op. 55) Parafrasi per c. (e pf.)
Augusto Rotoli |
PART03696
full score |