Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Musiche per Wakefield, per orch.da camera
Gilberto Cappelli |
PART04805
full score |
15/5/1996 | |
Due volti
Federico Incardona |
PART05607
full score |
1987 | |
Freundes umnachtung, Des, dialoghi sinfonici per grande orchestra
Federico Incardona |
PART05608
full score |
1985 | |
Notturno (douce) II, per viola e violoncello
Federico Incardona |
PART05609
full score |
19/5/1988 | |
Oblioso, insensibile parvenza d'angelo ancora, per 14 strumenti
Federico Incardona |
PART05610
full score |
||
Postludio alle notti, per grande orchestra e voce
Federico Incardona |
PART05611
full score |
14/10/1988 | |
Sed nec lingua loqui
Federico Incardona |
PART05612
full score |
28/5/1986 | |
Tranquilla sia l'onda
Federico Incardona |
PART05613
|