Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Norma
Vincenzo Bellini |
PART05119
|
||
Lucrezia Borgia N.9, Originale del Revisore della 2ª e 3ª versione del Finale
Gaetano Donizetti |
PART06009
full score |
||
Matilde di Scozia
Giuseppe C. Winter |
PART04466
full score |
||
Elena e Malvina
Carlo Evasio Soliva |
PART03921
full score |
||
Testa di bronzo, La
Carlo Evasio Soliva |
PART03922
full score |
||
Due figaro, I
Giovanni Antonio Speranza |
PART03927
full score |
||
Chi fa così fa bene
Feliciano Strepponi |
PART03935
full score |
||
Rappresaglia, La
Joseph Hartmann Stuntz |
PART03936
full score |
1819 | |
Ti rapirei!, Barcarola
Francesco Paolo Tosti |
PART04226
full score |
||
Giulietta e Romeo
Nicola Vaccaj |
PART04273
full score |