Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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3 Fantaisies brillantes sur les motifs de l’opera Adelia de Donizetti , composées pour le pf. seul ou à 4 mains, op. 655, n.1,2,3
Carl Czerny |
PART01139
full score |
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Amori e trappole
Antonio Cagnoni |
PART00680
full score |
||
Due figaro, I
Michele Enrico Carafa |
PART00732
full score |
1820 | |
Pitocco, Il
Giuseppe Gerli |
PART01975
full score |
||
Califfo e la schiava, Il
Francesco Basili |
PART00198
full score |
||
Illinesi, Gli
Francesco Basili |
PART00200
full score |
||
Capuleti e Montecchi
Vincenzo Bellini |
PART00254
full score |
||
Sonnambula, La
Vincenzo Bellini |
PART00256
|
||
Straniera, La
Vincenzo Bellini |
PART00257
full score |
||
Caterina di Clèves
Francesco Chiaromonte |
PART00958
full score |
13/3/1850 |