Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Uscocco, L’
Francesco Petrocini |
PART03212
full score |
||
Ginevra di Monreale
Alessandro Sala |
PART03726
full score |
||
Goretta
Luigi Sangermano |
PART03756
full score |
1868 | |
È morta
Francesco Cortesi |
PART01044
full score |
8/11/1882 | |
Papà Martin
Antonio Cagnoni |
PART00685
full score |
||
I masnadieri , Fantasia per violino e pianoforte concertanti
Antonio Bazzini |
PART00224
full score |
||
Patria
Enrico Bernardi |
PART00270
full score |
14/1/1880 | |
Gara d’amore
Eliodoro Bianchi |
PART00329
full score |
19/5/1872 | |
Assedio di Firenze, L'
Giovanni Bottesini |
PART00387
full score |
12/6/1861 | |
Gondoliero, Il
Francesco Chiaromonte |
PART00951
full score |
24/12/1850 |