Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Rienzi
Achille Peri |
PART03128
full score |
||
Pittore e duca
Guglielmo Balfe |
PART00167
full score |
||
Emiro, L'
Antonio Cagnoni |
PART00676
full score |
||
Tombola, La
Antonio Cagnoni |
PART00678
full score |
13/2/1868 | |
Souvenir d’Attila de Verdi, fantaisie brillante pour piano et violon concertants
Antonio Bazzini |
PART00231
full score |
||
Traviata, La, Fantasia per vl. con orch., o piano, op. 50
Antonio Bazzini |
PART00233
full score |
||
Guglielmo Shakespeare
Tommaso Benvenuti |
PART00261
full score |
||
Mormile
Gaetano Braga |
PART00423
full score |