Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Due poesie di L. Stecchetti, per una voce con acc. di pf.
Giovanni Sgambati |
PART03897
full score |
20/8/1877 | |
Io son l’amore!, Canzone Notturna
Francesco Paolo Tosti |
PART04039
full score |
11/1904 | |
Ange d’amour
Francesco Paolo Tosti |
PART04045
full score |
1884 | |
Ask me no more, Song
Francesco Paolo Tosti |
PART04048
full score |
||
Ave Maria, Piccola melodia
Francesco Paolo Tosti |
PART04053
full score |
7/11/1887 | |
Tu sola. Beauty’s Eyes, Melodia
Francesco Paolo Tosti |
PART04056
|
||
Bonjour, Suzon!, Chansonette
Francesco Paolo Tosti |
PART04058
full score |
1893 | |
Canti popolari abruzzesi, Trascr. da F.P. Tosti
Francesco Paolo Tosti |
PART04062
full score |
||
Deux Chansons
Francesco Paolo Tosti |
PART04068
full score |
1898 | |
Chi sa!, Vecchia canzone Napoletana
Francesco Paolo Tosti |
PART04069
full score |
8/1902 |