Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Silva resonat, 5 versi di Virgilio per voce di basso, cl., pf.
Francesco Pennisi |
PART06050
full score |
8/1991 | |
Tristan, studi per 1 azione musicale
Francesco Pennisi |
PART06051
full score |
13/5/1995 | |
Vigne di Samaria, Le, cantata su frammenti biblici per coro e orchestra
Francesco Pennisi |
PART06053
full score |
1974 | |
Wild swans, The, per soprano e sette strumenti su una lirica di W. B. Yeats
Francesco Pennisi |
PART06054
full score |
1992 | |
Cartolina dall'ombra del faggio, per 8 strum.
Francesco Pennisi |
PART04935
full score |
9/1998 | |
Come d'autunno
Luca Lombardi |
PART05674
full score |
3/11/2000 | |
Angelica in bosco, poemetto per arpa e orchestra
Francesco Pennisi |
PART04639
full score |
11/1990 | |
Aci, il fiume, Cinque musiche per il mito su frammenti da Ovidio e da Gongora
Francesco Pennisi |
PART04640
full score |
18/11/1986 | |
Capricci e Cadenze, per clavicembalo e orchestra
Francesco Pennisi |
PART04642
full score |
10/9/1979 | |
Ultimo canto, per viola
Marco Betta |
PART04678
full score |
2000 |