Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Trio II, per contralto, flauto basso in do e cl basso in Si b.
Franco Donatoni |
PART07245
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Senza titolo
Franco Donatoni |
PART07246
full score |
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Enantios: se tanto amate di sentire, per 7 strumenti
Giuseppe Soccio |
PART06337
full score |
1982 | |
Pasiphae, Balletto da camera
Corrado Pasquotti |
PART06993
full score |
2/11/1980 | |
Arte della fuga, L', Contrapunctus XI, fuga a 4 voci
Johann Sebastian Bach |
PART02174
full score |
1997 | |
Abyss II versione, per contralto, basso, coro, orch
Franco Donatoni |
PART02927
full score |
1984 | |
Clair, Due pezzi per clarinetto
Franco Donatoni |
PART01592
full score |
7/7/1980 | |
Clair II, per clarinetto in Si bem.
Franco Donatoni |
PART01593
full score |
1/5/1999 | |
Cloches II , per due pianoforti
Franco Donatoni |
PART01594
full score |
1990 | |
Cloches III, per 2 pianisti e 2 percussionisti
Franco Donatoni |
PART01595
full score |
3/6/1991 |