Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Trois mélodies pour violoncelle et piano , 1. Preludio 2. In barchetta 3. Saltarella abruzzese
Gaetano Braga |
PART00438
full score |
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Romanesca, La, Celebre aria di ballo del XVI sec. Secondo l'originale trascritta per vc. e piano
Gaetano Braga |
PART00439
full score |
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Concerto in sol minore , per violoncello e orchestra
Gaetano Braga |
PART00440
arrangement/reduction |
||
Gavotta , per violoncello, orchestra o pianoforte
Gaetano Braga |
PART00442
full score |
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Gran pianto, Un , Melodia per violoncello e pianoforte
Gaetano Braga |
PART00443
full score |
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Gran riso, Un , Melodia per violoncello e pianoforte
Gaetano Braga |
PART00444
full score |
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4 Meditazioni lugubri e marcia funebre
Gaetano Braga |
PART00445
full score |
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Solo! Solo! Solo! , Melodia per violoncello e pianoforte o per violino e pianoforte
Gaetano Braga |
PART00446
full score |
2/1884 |