Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Linda di Chamounix
Gaetano Donizetti |
PART01708
full score |
5/1842 | |
Lucrezia Borgia
Gaetano Donizetti |
PART01709
|
1833 | |
Maria di Rohan
Gaetano Donizetti |
PART01710
full score |
1843 | |
Maria Padilla
Gaetano Donizetti |
PART01711
full score |
15/12/1841 | |
Martyrs, Les
Gaetano Donizetti |
PART01712
full score |
1839 | |
1. Ave Maria, offertorio a 5 voci e strumenti
Gaetano Donizetti |
PART01713
full score |
1842 | |
2. Miserere, offertorio a più voci, cori e strum.
Gaetano Donizetti |
PART01714
full score |
1843 | |
Duc d’Albe, Le
Gaetano Donizetti |
PART01716
full score |
||
Sinfonia , rid. per 2 pf. a 4 mani ciascuno da Tito Ricordi
Gaetano Donizetti |
PART01717
|
||
Amiamo, Canzonetta
Gaetano Donizetti |
PART01718
full score |