Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adelaide e Comingio
Giovanni Pacini |
PART02983
full score |
||
Sposa fedele, La
Giovanni Pacini |
PART02985
full score |
1819 | |
Cherusci, I
Stefano Pavesi |
PART03065
full score |
||
Donna bianca, La
Stefano Pavesi |
PART03066
full score |
||
Fenella, o la Muta di Portici
Stefano Pavesi |
PART03067
full score |
||
Festa della rosa, La
Stefano Pavesi |
PART03070
full score |
||
Rapimento, Il
Placido Mandanici |
PART02397
full score |
||
Prigione d’Edimburgo, La
Federico Ricci |
PART03520
full score |
||
Marito e l’amante, Il
Federico Ricci |
PART03522
full score |
1852 | |
Chiara di Montalbano
Luigi Ricci |
PART03542
full score |