Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Parrucchiere della Reggenza, Il
Carlo Pedrotti |
PART03096
full score |
21/4/1852 | |
Romea di Monfort
Carlo Pedrotti |
PART03097
full score |
||
Souvenir de Linda (di) Chamounix, pour le violoncelle avec accompagnement de piano ou d’orchestre
Alfredo Piatti |
PART03221
full score |
13/1/1850 | |
Amor coniugale, L'
Giovanni Simone Mayr |
PART02681
full score |
||
Etelinda
Carlo Coccia |
PART01005
full score |
||
Orfano della selva, L'
Carlo Coccia |
PART01008
full score |
||
Giovanna seconda regina di Napoli
Carlo Coccia |
PART01010
full score |
1840 | |
Fidanzata delle isole, La
Pietro Candio |
PART00718
full score |
1834 | |
Adelina
Pietro Generali |
PART01947
full score |
1810 | |
Calzolaia, La
Pietro Generali |
PART01948
|
1804 |