Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ratto delle Sabine, Il
Nicola Antonio Zingarelli |
PART04556
full score |
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Mitridate
Giovanni Tadolini |
PART03938
full score |
||
Giovanna d’Arco
Nicola Vaccaj |
PART04272
full score |
1827 | |
Duetti seri
Autori Diversi , Gioachino Antonio Rossini , Nicola Antonio Zingarelli , Giuseppe Farinelli , Giovanni Simone Mayr , Ferdinando Paër |
PART07249
full score |
||
Adelina, Gabinetto di Lettura Musicale di Giuseppe Mancinelli
Pietro Generali |
PART07258
full score |
||
Arsace e Semira
Francesco Gnecco |
PART02068
full score |
1804 | |
Iginia d’Asti
Samuele Levi |
PART02226
full score |
1837 | |
Ginevra di Scozia
Giovanni Simone Mayr , Vincenzo Lavigna |
PART02693
full score |
||
Prova d’un’opera seria, La
Giuseppe Mazza |
PART02694
full score |
||
Quel celeste tuo sembiante, Da: Le due illustri rivali - Scena ed aria
Saverio Mercadante |
PART02736
full score |