Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Don Pasquale
Gaetano Donizetti |
PART01699
full score |
12/1842 | |
Esule di Roma, L’ , Aria di Settimio : Se fin or bel Idol mio
Gaetano Donizetti |
PART01700
full score |
||
Falegname di Livonia, Il
Gaetano Donizetti |
PART01701
full score |
1819 | |
Fausta , Pezzi nuovi scritti per Venezia
Gaetano Donizetti |
PART01702
full score |
||
Furioso all’isola di San Domingo, Il
Gaetano Donizetti |
PART01703
|
1832 | |
Gemma di Vergy
Gaetano Donizetti |
PART01704
full score |
1835 | |
Lettera anonima, La
Gaetano Donizetti |
PART01705
full score |
||
Adelia
Gaetano Donizetti |
PART01706
arrangement/reduction |
22/3/1841 | |
Anna Bolena
Gaetano Donizetti |
PART01707
full score |
1830 | |
Linda di Chamounix
Gaetano Donizetti |
PART01708
full score |
5/1842 |