Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Manon Lescaut
Giacomo Puccini |
PART00063
full score |
10/1892 | |
Tosca
Giacomo Puccini |
PART00069
full score |
29/9/1899 | |
Turandot, Finale Atto III
Franco Alfano |
PART00071
full score |
28/1/1926 | |
Turandot
Giacomo Puccini |
PART00073
full score |
1924 | |
Gianni Schicchi
Giacomo Puccini |
PART00074
full score |
20/4/1918 | |
Suor Angelica
Giacomo Puccini |
PART00075
full score |
14/9/1917 | |
Tabarro, Il : Aria di Michele : Nulla! Silenzio!
Giacomo Puccini |
PART00078
full score |
||
Madama Butterfly
Giacomo Puccini |
PART00079
full score |
16/3/1904 | |
Fanciulla del West, La
Giacomo Puccini |
PART00080
full score |
6/7/1910 | |
Ninna-nanna (“E l’uccellino”)
Giacomo Puccini |
PART03424
full score |
25/2/1911 |