Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
De Profundis , per una voce, vla, gran cassa e pf. Part.
Gian Francesco Malipiero |
PART02362
full score |
7/7/1937 | |
De Profundis , per una voce, vla, gran cassa e pf.
Gian Francesco Malipiero |
PART02363
parts |
||
Canzoni amorose, (da G. B. Bassani) per archi soli
Gian Francesco Malipiero |
PART02364
full score |
||
Concerto per archi (e org. ad libitum) , da una sonata di Giuseppe Tartini
Gian Francesco Malipiero |
PART02365
full score |
||
Concerto per archi e org. , dall’op. II di F.Maria Veracini
Gian Francesco Malipiero |
PART02366
full score |
9/1926 | |
Serenata , da Alessandro Stradella
Gian Francesco Malipiero |
PART02367
full score |
||
Sinfonie e ritornelli, dall'Orfeo di Claudio Monteverdi
Gian Francesco Malipiero |
PART02368
full score |
||
Toccate, da G. Frescobaldi
Gian Francesco Malipiero |
PART02369
full score |
||
Epitaffio
Gian Francesco Malipiero |
PART02370
full score |
||
Tre vocalizzi
Gian Francesco Malipiero |
PART02371
full score |