Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sinfonie e ritornelli, dall'Orfeo di Claudio Monteverdi
Gian Francesco Malipiero |
PART02368
full score |
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Toccate, da G. Frescobaldi
Gian Francesco Malipiero |
PART02369
full score |
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Epitaffio
Gian Francesco Malipiero |
PART02370
full score |
||
Tre vocalizzi
Gian Francesco Malipiero |
PART02371
full score |
||
Favola del figlio cambiato, La, Frammenti sinfonici
Gian Francesco Malipiero |
PART02372
full score |
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Principessa Ulalia, La, Favola cantata per soli, coro e orch.
Gian Francesco Malipiero |
PART02373
full score |
24/1/1924 | |
Don Tartufo bacchettone
Gian Francesco Malipiero |
PART02374
full score |
10/9/1966 |