Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Concerto in la maggiore, per violino, archi e cembalo. F.I n.5
Antonio Vivaldi |
PART07570
full score |
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Concerto in do maggiore, per violino, archi e cembalo. F.I n.3
Antonio Vivaldi |
PART07572
full score |
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Concerto in Sol min., ("per l'Orchestra di Dresda") per violino, due flauti, due oboi, due fagotti, archi e cembalo. F. XII n.3
Antonio Vivaldi |
PART07576
full score |
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Concerto in La maggiore, per archi e cembalo. F.XI n.4
Antonio Vivaldi |
PART07577
full score |
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Sonata a quattro in mi bem. magg., "al Santo Sepolcro", per due violini, viola, basso continuo. F. XVI n.2
Antonio Vivaldi |
PART07580
full score |
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Concerto in do minore, per violoncello, archi e cembalo. F. III n.1
Antonio Vivaldi |
PART07583
full score |