Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Stagioni italiche, Le , per una voce di s. e pf.
Gian Francesco Malipiero |
PART02351
full score |
1923 | |
Stornelli e ballate , per quart. d’archi
Gian Francesco Malipiero |
PART02352
full score |
||
Per una favola cavalleresca , Illustrazioni sinfoniche
Gian Francesco Malipiero |
PART02353
full score |
1914 | |
Dalle tre commedie goldoniane, Frammenti sinfonici
Gian Francesco Malipiero |
PART02354
full score |
1922 | |
Variazioni senza tema, per pf. e orch.
Gian Francesco Malipiero |
PART02355
arrangement/reduction |
1923 | |
Variazioni senza tema , per pianoforte e orchestra
Gian Francesco Malipiero |
PART02356
full score |
29/6/1923 | |
Commiato, Il, per baritono e orchestra. Poesia di G. Leopardi
Gian Francesco Malipiero |
PART02357
full score |
28/7/1934 | |
Due sonetti del Berni
Gian Francesco Malipiero |
PART02359
|
14/7/1934 | |
Giulio Cesare
Gian Francesco Malipiero |
PART02360
|
10/2/1935 | |
Giulio Cesare
Gian Francesco Malipiero |
PART02361
arrangement/reduction |
20/3/1935 |