Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto per cembalo, fatto per S.A.I. la Gran Duchessa di tutte le Russie (inedito)
Giovanni Paisiello |
PART07510
full score |
||
Serva Padrona, La
Giovanni Paisiello |
PART07260
full score |
||
Concerto in Fa Maggiore, per clavicembalo e orchestra da camera
Giovanni Paisiello |
PART07305
arrangement/reduction |
||
Si vuol sapere chi sono, Aria e Scena di Dori
Giovanni Paisiello |
PART07333
arrangement/reduction |
||
Voglio ognor che mon Marj, dall'opera "Il Duello"
Giovanni Paisiello |
PART07867
arrangement/reduction |
||
Graduale della Messa dell’Epifania
Giovanni Paisiello |
PART03007
full score |
||
Nina o sia La pazza per amore
Giovanni Paisiello |
PART03008
|
||
Barbier de Seville, Le , Comédie lirique en IV actes, traduit de l’italien par Mr. Moline, les recitatifs son de la composition de Mr. Wenck, Paris, chez M.lle Castagnery
Giovanni Paisiello |
PART03009
|
||
Barbier de Seville, Le, remis en français d’après la pièce de Mr. Beaumarchais, et parodié sous la musique par Mr. Framery, Paris, chez Madame Baillon
Giovanni Paisiello |
PART03010
|