Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sigismondo
Gioachino Antonio Rossini |
PART03662
full score |
||
Due giornate, Le
Giovanni Simone Mayr |
PART02691
full score |
||
Claudina in Torino
Carlo Coccia |
PART01004
full score |
||
Euristea
Carlo Coccia |
PART01011
full score |
||
Matilde, La , ossia Una fatale supposizione
Carlo Coccia |
PART01014
|
1811 | |
Selvaggia, La
Carlo Coccia |
PART01015
full score |
||
Terza lettera, La
Giuseppe Farinelli |
PART01800
full score |
||
Ritratto del duca, Il
Pietro Generali |
PART01950
full score |
1809 | |
Sciocca per gli altri e l’astuta per sé, La
Pietro Generali |
PART01951
full score |
1811 | |
Lagrime d’una vedova, Le
Pietro Generali |
PART01953
full score |
1808 |