Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Euristea
Carlo Coccia |
PART01011
full score |
||
Matilde, La , ossia Una fatale supposizione
Carlo Coccia |
PART01014
|
1811 | |
Selvaggia, La
Carlo Coccia |
PART01015
full score |
||
Ritratto del duca, Il
Pietro Generali |
PART01950
full score |
1809 | |
Sciocca per gli altri e l’astuta per sé, La
Pietro Generali |
PART01951
full score |
1811 | |
Lagrime d’una vedova, Le
Pietro Generali |
PART01953
full score |
1808 | |
Moglie giudice del marito, La
Pietro Generali |
PART01956
full score |
1810 | |
Isabella
Pietro Generali |
PART01962
full score |
1813 | |
Jefte
Pietro Generali |
PART01963
full score |
||
Stravagante, Lo
Francesco Basili |
PART00196
full score |