Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Magnificat
Goffredo Petrassi |
PART03182
arrangement/reduction |
11/1940 | |
Partita
Goffredo Petrassi |
PART03183
full score |
10/1932 | |
Ouverture da concerto
Goffredo Petrassi |
PART03184
full score |
5/1931 | |
Concerto per orchestra
Goffredo Petrassi |
PART03185
full score |
12/1934 | |
Magnificat, per soprano leggero, coro e orchestra
Goffredo Petrassi |
PART03186
full score |
11/1940 | |
Introduzione e allegro, per vl. concert. e 11 strum.
Goffredo Petrassi |
PART03187
full score |
||
Lamento d’Arianna
Goffredo Petrassi |
PART03188
full score |
||
Salmo IX, per coro e orch. in 2 parti
Goffredo Petrassi |
PART03189
full score |
||
Magnificat
Goffredo Petrassi |
PART03190
|
19/11/1940 | |
Lamento d’Arianna
Goffredo Petrassi |
PART03191
full score |