Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto in sol magg. , per contrabbasso
Isaia Billé |
PART00335
arrangement/reduction |
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Sei studii caratteristici, per contrabbasso a 4 corde
Isaia Billé |
PART00336
didactic method |
18/8/1926 | |
21 Piccoli studii melodici, in tutti i toni per cb. d’integr. al secondo corso del “Nuovo metodo”
Isaia Billé |
PART00337
didactic method |
19/8/1926 | |
Quasi “perpetuum mobile”
Isaia Billé |
PART00338
full score and parts |
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Metodo per contrabbasso
Isaia Billé |
PART00339
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