Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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24 Melodische studien , zur erzielung eines schönen tones auf der violine, op. 91
Johannes Palaschko |
PART03012
didactic method |
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24 Melodische studien, für violine auf der G-saite, op. 82
Johannes Palaschko |
PART03013
didactic method |
||
24 Leichte melodische studien, in allen dur- und molltonarten für violine, op. 85
Johannes Palaschko |
PART03014
didactic method |
||
Melodienbuch, 30 leichte unterhaltungsstüeke für violine allein, op. 97
Johannes Palaschko |
PART03015
didactic method |
||
Aquarellen, 6 Stücke für 2 violinen mit pianoforte-begleitung, op. 88
Johannes Palaschko |
PART03016
didactic method |
||
18 Lagen-studien, für violine, op. 71
Johannes Palaschko |
PART03017
didactic method |
||
20 Leichte etüden, für violine, op. 73
Johannes Palaschko |
PART03018
didactic method |
||
15 Studien, für viola, op. 70
Johannes Palaschko |
PART03019
didactic method |
||
25 Leichte melodische studien , für viola, op. 87
Johannes Palaschko |
PART03020
didactic method |