Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3ª Sinfonia, su testi di Glok, Brecht, [...], Quasimodo, Rike, Ungaretti
Luca Lombardi |
PART05707
full score |
26/10/1993 | |
Tum-Balalaike, per s. (suona anche vl e fischietto), fl, cl (suona anche cl. b., cassa rullante, piatto sospeso, xilofono), pf (suona anche scacciapensieri)
Luca Lombardi |
PART05708
full score |
8/3/1989 | |
Unterwegs, per 2 voci femminili e strumenti
Luca Lombardi |
PART05709
full score |
1997 | |
Yedid Nefesh, canti di amore e di assenza, per voce e strumenti
Luca Lombardi |
PART05710
|
1996 | |
Yedid Nefesh, 1ª stesura, per voce e strumenti
Luca Lombardi |
PART05711
|
1994 |