Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Abenamet e Zoraide
Giuseppe Nicolini |
PART02892
full score |
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Abradate e Dircea
Giuseppe Nicolini |
PART02893
full score |
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Gelosia corretta, La
Giovanni Pacini |
PART02971
full score |
||
Isabella ed Enrico
Giovanni Pacini |
PART02972
full score |
1824 | |
Vestale, La
Giovanni Pacini |
PART02986
full score |
31/12/1822 | |
Eroismo in amore, L’
Ferdinando Paër |
PART02998
full score |
||
Andromaca
Vincenzo Pucitta |
PART03429
full score |
||
Puntiglio, Il
Vincenzo Pucitta |
PART03433
full score |
||
Finte amazzoni, Le
Pietro Raimondi |
PART03447
full score |
1823 | |
Spensierati, Gli
Pietro Ray |
PART03457
full score |