Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Paolo Emilio
Cesare Jannoni |
PART02190
full score |
||
Impostore avvilito, L'
Vincenzo Lavigna |
PART02219
full score |
||
Fedra
Giovanni Simone Mayr |
PART02692
full score |
||
Elisa e Claudio
Saverio Mercadante |
PART02716
full score |
1821 | |
Dama locandiera, La, o sia L’albergo de pitocchi
Giuseppe Mosca |
PART02818
full score |
1822 | |
Fortunata combinazione, La
Giuseppe Mosca |
PART02819
full score |
||
Gelosia corretta, La
Giovanni Pacini |
PART02971
full score |
||
Isabella ed Enrico
Giovanni Pacini |
PART02972
full score |
1824 | |
Vestale, La
Giovanni Pacini |
PART02986
full score |
31/12/1822 | |
Eroismo in amore, L’
Ferdinando Paër |
PART02998
full score |