Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Merchant of Venice, The
Mario Castelnuovo-Tedesco |
PART06843
|
29/12/1956 | |
Concerto italiano in sol min. , per violino e orchestra
Mario Castelnuovo-Tedesco |
PART00777
|
||
Ouvertures per il Teatro di Shakespeare, N.4 Giulio Cesare
Mario Castelnuovo-Tedesco |
PART00778
|
13/7/1934 | |
Quattro scherzi per musica di Messer Francesco Redi, per canto e pianoforte
Mario Castelnuovo-Tedesco |
PART00779
|
1924 | |
Tre pezzi, per violoncello e pianoforte
Mario Castelnuovo-Tedesco |
PART00780
|
8/1935 | |
Ballade des biens immeubles
Mario Castelnuovo-Tedesco |
PART00781
full score |
31/7/1934 | |
Dos romances viejos, (II série) para canto y piano
Mario Castelnuovo-Tedesco |
PART00782
|
6/10/1935 | |
Trio in sol
Mario Castelnuovo-Tedesco |
PART00783
full score |
||
Lucertolina
Mario Castelnuovo-Tedesco |
PART00784
full score |
31/1/1916 | |
3 Preludi alpestri
Mario Castelnuovo-Tedesco |
PART00785
full score |
1935 |