Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
C’est le vent, chanson
Mario Pasquale Costa |
PART01056
full score |
||
Chanson de Barberine
Mario Pasquale Costa |
PART01057
full score |
15/9/1883 | |
Chanson rose
Mario Pasquale Costa |
PART01058
full score |
2/1/1891 | |
Addimànnele a mammà! , Canzone popolare
Mario Pasquale Costa |
PART01059
full score |
23/8/1896 | |
Deh non giurare
Mario Pasquale Costa |
PART01060
full score |
||
Dimane t’o ddico, Canzone popolare
Mario Pasquale Costa |
PART01061
full score |
||
Dispietto!..., (piccolo racconto)
Mario Pasquale Costa |
PART01062
full score |
10/1888 | |
Due fiori, Melodia
Mario Pasquale Costa |
PART01063
full score |
7/1883 | |
È l’amore!, canzone pazza
Mario Pasquale Costa |
PART01064
full score |
8/7/1908 | |
E vota e gira
Mario Pasquale Costa |
PART01066
full score |