Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
È l’amore!, canzone pazza
Mario Pasquale Costa |
PART01064
full score |
8/7/1908 | |
E vota e gira
Mario Pasquale Costa |
PART01066
full score |
||
Ever, alas!..., Creder non posso
Mario Pasquale Costa |
PART01067
full score |
||
Fior di siepe
Mario Pasquale Costa |
PART01068
full score |
||
Forse una volta... , Due Melodie
Mario Pasquale Costa |
PART01069
full score |
||
‘A Frangesa!, Canzone da café-concert
Mario Pasquale Costa |
PART01070
full score |
||
Gigogì, gigogià , Canzone popolare
Mario Pasquale Costa |
PART01071
full score |
||
Incantesimo, Ballatina orientale
Mario Pasquale Costa |
PART01072
full score |
4/1881 | |
In montagna, 2 canzonette
Mario Pasquale Costa |
PART01073
full score |
10/1887 | |
Io morirò, ché la fatal mia sera
Mario Pasquale Costa |
PART01074
full score |