Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Come il ricordo vago e mal distinto
Mario Pasquale Costa |
PART01046
full score |
10/1881 | |
C’est le vent, chanson
Mario Pasquale Costa |
PART01056
full score |
||
Addimànnele a mammà! , Canzone popolare
Mario Pasquale Costa |
PART01059
full score |
23/8/1896 | |
Fior di siepe
Mario Pasquale Costa |
PART01068
full score |
||
‘A Frangesa!, Canzone da café-concert
Mario Pasquale Costa |
PART01070
full score |
||
J’ai peur de vous
Mario Pasquale Costa |
PART01076
full score |
9/1896 | |
Mo’ va, mo’ vene, canzone
Mario Pasquale Costa |
PART01083
full score |
24/8/1906 | |
Nel sonno mio credei di rivederla
Mario Pasquale Costa |
PART01088
full score |
1/1882 | |
Dom’ Antonio ‘o cecato!
Mario Pasquale Costa |
PART01093
full score |
8/1896 | |
Pantéismo, Melodia
Mario Pasquale Costa |
PART01099
full score |
4/11/1880 |