Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concertante, pour saxophone alto et orch
Marius Constant |
PART07847
arrangement/reduction |
||
Concertante, pour saxophone alto et orch
Marius Constant |
PART06632
full score |
||
Concerto "Gli elementi", per trombone,archi e 2 corni
Marius Constant |
PART06633
full score |
4/1977 | |
Harpalycé, pour harpe solo et qiuntette à cordes (ou orch.)
Marius Constant |
PART06634
full score |
4/1980 | |
Nanà
Marius Constant |
PART06635
full score |
3/1976 | |
Nanà Symphonie
Marius Constant |
PART06636
full score |
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Maldoror, II.me chant (appunti strum.)
Marius Constant |
PART01020
|
||
Turner, 3 essais pour orchestre
Marius Constant |
PART01021
full score |
||
Cyrano, (balletto)
Marius Constant |
PART01022
full score |