Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sanctus, per s., ms, t., b., orch
Matteo D'Amico |
PART05060
arrangement/reduction |
||
Sonnets et rondels, 2ªvers."lunga", per baritono e orchestra
Matteo D'Amico |
PART05062
|
||
Sonnets et rondels, Versione "Palermo" | Nuova versione riveduta
Matteo D'Amico |
PART05063
|
1993 | |
Spiriti dell'aria, Gli, ovvero Il sogno di Pulcinella
Matteo D'Amico |
PART05064
full score |
||
Stabat Mater, Cantata sacra e profana per soprano, mezzosoprano, voce recitante archi e percussione
Matteo D'Amico |
PART05066
full score |
1999 | |
Azur, L'
Matteo D'Amico |
PART06916
|