Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mascherata veneziana, Belletto in due atti su temi di Baldassarre Galuppi
Matteo D'Amico |
PART05040
full score |
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Mascherata veneziana
Matteo D'Amico |
PART05042
arrangement/reduction |
||
Mironton Mirontaine, fantasia per pf a 4 mani su temi popolari francesi
Matteo D'Amico |
PART05044
|
||
Monologo di un fauno, per voce recitante e panoforte
Matteo D'Amico |
PART05045
|
||
Quartina, per trio d'archi
Matteo D'Amico |
PART05052
full score |
||
…resto nol dico, Il
Matteo D'Amico |
PART05056
full score |
1990 | |
Rime notturne
Matteo D'Amico |
PART05058
|
||
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |
||
Sestetto
Matteo D'Amico |
PART05061
full score |
||
Sonnets et rondels, 2ªvers."lunga", per baritono e orchestra
Matteo D'Amico |
PART05062
|