Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mascherata veneziana, Belletto in due atti su temi di Baldassarre Galuppi
Matteo D'Amico |
PART05040
full score |
||
Mascherata veneziana, Suite dal balletto su temi di B. Galuppi
Matteo D'Amico |
PART05041
full score |
1998 | |
Memoires '93
Matteo D'Amico |
PART05043
full score |
||
Moto perpetuo, per orch.d'archi
Matteo D'Amico |
PART05046
full score |
8/4/1991 | |
Mysterium
Matteo D'Amico |
PART05047
full score |
||
Peter-Peter Pan, fantasia notturna per flauto e picc.orch.
Matteo D'Amico |
PART05048
full score |
2000 | |
Pianobach, per 2 pianoforti
Matteo D'Amico |
PART05049
full score |
2000 | |
Pianobach II, per pianoforte
Matteo D'Amico |
PART05050
full score |
2002 | |
Ploc, omaggio a Ravel
Matteo D'Amico |
PART05051
full score |
1998 | |
Quartina, per trio d'archi
Matteo D'Amico |
PART05052
full score |