Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Wooden wood II, per ensemble di percussioni
Matteo D'Amico |
PART05073
full score |
2001 | |
Antologia per chitarra
Bruno Bettinelli , Luciano Chailly , Matteo D'Amico , Lorenzo Ferrero , Franco Margola , Fabio Vacchi , Giulio Viozzi , Gilberto Bosco |
PART06877
full score |
||
Azur, L'
Matteo D'Amico |
PART06916
|
||
Entertainment of the Senses, The, cabaret musicale per voce e strumenti
Matteo D'Amico |
PART06935
full score |
||
Divertimento, per quintetto di fiati
Matteo D'Amico |
PART06940
full score |
||
I hate music!, cinque canzoni di bambino, per s. e pf. Orchestr. M. D'amico
Leonard Bernstein |
PART06975
|