Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Peter-Peter Pan, fantasia notturna per flauto e picc.orch.
Matteo D'Amico |
PART05048
full score |
2000 | |
Pianobach, per 2 pianoforti
Matteo D'Amico |
PART05049
full score |
2000 | |
Pianobach II, per pianoforte
Matteo D'Amico |
PART05050
full score |
2002 | |
Ploc, omaggio a Ravel
Matteo D'Amico |
PART05051
full score |
1998 | |
Quartina, per trio d'archi
Matteo D'Amico |
PART05052
full score |
||
Quis dabit capiti meo acquam, mottetto per quattro sassofoni
Matteo D'Amico |
PART05053
full score and parts |
||
…resto nol dico, Il
Matteo D'Amico |
PART05056
full score |
1990 | |
Rime d'amore, per ms, coro femm, orch.
Matteo D'Amico |
PART05057
|
1998 | |
Rime notturne
Matteo D'Amico |
PART05058
|
||
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |