Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Feste, 2ªsuite da Mascherata veneziana balletto sui temi di B. Galuppi
Matteo D'Amico |
PART05030
full score |
1999 | |
Finché passero non sono, per soprano e flauto
Matteo D'Amico |
PART05031
full score |
||
Finestra su Kensington gardens, La, per voce rec.,soprano,coro femm,orch.
Matteo D'Amico |
PART05032
full score |
2000 | |
Geld, Das, enigma in musica per 3 voci,quartet.d'archi e pf.
Matteo D'Amico |
PART05033
full score |
1999 | |
Grave, per cl,c.basso,v.cello
Matteo D'Amico |
PART05034
full score |
||
In tre, per cl,v.cello e pf.
Matteo D'Amico |
PART05035
full score |
1998 | |
Invenzione a due
Matteo D'Amico |
PART05036
full score |
||
Jeux des masques, per soprano, clav, orch
Matteo D'Amico |
PART05037
full score |
1985 | |
Jubilate Deo, per s. e quartetto d'archi
Matteo D'Amico |
PART05038
full score |
||
Jubilate Deo, per soprano e orch.d'archi
Matteo D'Amico |
PART05039
full score |
1997 |