Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sarabanda con variazioni, (dalla XI Suite) trascrizione per chitarra di M. Ablòniz
Georg Friedrich Händel |
PART07468
full score |
||
6 Minuetti, trascrizione per chitarra di M. Ablòniz
Jean-Philippe Rameau |
PART07469
full score |
||
Fuga, (dalla 1° Sonata per violino)
Johann Sebastian Bach |
PART07473
full score |
||
Sarabanda e Double e Bourrée e Double, (dalla 1° Partita per violino)
Johann Sebastian Bach |
PART07474
full score |
||
Due Gavotte, (dalla 5° Suite per violoncello)
Johann Sebastian Bach |
PART07475
full score |
||
Danza, danza, galiarda
Francesco Durante |
PART07476
full score |
||
Piccola antologia chitarristica
Anonimo |
PART07477
full score |
||
Studio da concerto
Giorgio Federico Ghedini |
PART06870
full score |
1959 |